7 posts tagged “acrylic painting”
Reminding me to be attentive to my work.
Apparently the first bird that Noah released from the ark was a raven, who flew back and forth, drying up the waters with the smooth flapping of strong, dark wings, drying the land so the olive branches emerged for the dove to find.
Haida people believe that Raven discovered the first people hiding in a clam shell, and fed them berries and salmon. I like both myths.
I'm just happy to hear and see them on my last few days in Santa Fe. They're comfortable with me and I with them. For great info on ravens read Berndt Heinrich's Mind of the Raven. They are intelligent, fascinating creatures with a complex social structure.
Hoping to get the two sculptures fired today, though I'm pushing the odds with the second one. "Duet: Raven" is ready for the kiln. "Trio" would be fine if I were home and firing it myself. Strange to be at the whim of someone else's schedule, although my time at Santa Fe Clay has been productive, pleasant and informative.
Paintings will travel back to Vermont and continue to grow and change.
This has been a great residency time of focus and replenishment.
Have been reading Ghost Ranch by Lesley Poling-Kempes. Fascinating story of the adventurous women (and men, but mostly bold women) who set out to discover the wild west and fell in love with this raw, vivid part of the world.
How many 98 year-olds do you know who read blogs?
We are all at different points of our journey into infinity. Each step of the path offers opportunities, challenges and occasional set backs.
I was in Cambridge to see Andy and to deliver work to Co/So, the Copley Society on Newbury Street. I dropped off three small paintings for the summer show: Starry Night Sunflower, Singing Wren and Moonlit Shell.
Boston was at it's most lovely, gardens in perfect bloom, the scent of lilacs in the air.
I've been working with iridescent color pours for backgrounds lately. The challenge of creating a sense of drama which emerges from the shimmering multi-colored mica background is satisfying.
So very much has been consuming my energies for the last few weeks I have been sadly neglectful of this blog. A wonderful Kidz Aartz group spent a week with me making clay wind chimes & pins and acrylic paintings.
I've been working on the new website, which is COMING ALONG FABULOUSLY.
Writing a few proposals;
dealing with finishing up a round of commissions etc. etc.etc.
Finally have been able to allow myself a respite of color and canvas.
The Aegean Moon image is a long overdue project, that I'm very happy with. The creative process has allowed me to delve into memories of a fabulous experience in Greece a few years ago.
The painting is still unfinished, but most compositional aspects have been dealt with. The moon is now about a third of it's size in this painting, and I'm working on light and shadow...the drama of it all. the beach pebbles are much more colorful and ocean foam more believable. Celestial stage lighting.
to create sunshine
-Romain Rolland
I am yearning to be in a warm place, even though skiing in our sun-drenched Vermont woods was lovely today.
So I am painting sunflowers, continuing with the triptych that I have already begun. This morning I poured layers for the background of a new amarylis image. This one will be a pink flamingo with a pink amarylis.
Study in Pink.
Should be fun.
“The two most powerful warriors are patience and time" Tolstoy
Here's the beginning- well, far from the beginning actually, but the first view that has any detail that can be discerned... At least I hope the petals of some of the sunflowers are visible. It's a triptych measuring 30" x 54" and is a long overdue commission. There are MANY layers of poured acrylic color in the background with luminescent and interference powders and emulsions, much of which will be completely covered with the dancing petals of the sunflowers. They will give the viewer a sense of seeing the sunflower against a magical night sky.I was challenged by a friend to blog this process.
So here goes!
Mahatma Ghandi “The only tyrant I accept in this world is the 'still, small voice' within me.”
Thank goodness for that still, small voice that keeps me going when REASON says to just go take a nap.
Bellevue Artsfair was a beautiful show, but exhausting.
Of course, I started out exhausted after weeks of teaching and intensive prep for the show, and organizing and preparing for a Germond family gathering two days before leaving. Arriving stressed out and a day late after three hours of sleep in Chicago due to United Airline crew cut backs didn't help much either.
A terrific abstract painter, Chris Shreve and a luminous pastel artist, Sheila Evans, both across the aisle from me were doing fabulously.
Hurrah for an artist's financial success in difficult economic times!
All in all, I was extremely pleased with the event.
Sadly, I had not scheduled any extra days around the show to go to galleries and just enjoy being there, but my sister Magi Treece & family came and visited the show on Sunday, and on Monday afternoon we were able to visit my brother Roger Myers & his lovely wife Trudi at their home in Woodinville, just a wine cork's toss to the east. (and across the lusciously green valley from the St. Michelle Winery)
I've been back from the west coast for a few days now...
The air is so different there. Looming mountains; moist air with different scents. There were a few glimpses of the Cascades and Mount Rainier, hovering regally in the distance.
but their inward significance, and this,
not the external manner and detail, is true reality.
- Aristotle
And to suspend the disbelief that such odd, and interesting things actually might truly be in the same place at the same time.
It's not quite finished, but close...
Bent Bowls were ceremonial Haida bowls used for honored guests at potlatches.
I LOVE painting the stones and shells. Creating the illusion of shadow and depth, researching to be sure that the shells are accurate for the region...
A blending of mystery and science and love of those special places in the wild...
The Anna's Hummingbird is on a poured, luminescent background, using a photo of Pete's for reference, A challenge to integrate the background with the imagery but I think it works well, especially with the hydrangea blossoms.
Just sent 8 new paintings off with Tad Merrick, friend and photographer for the record keeping process: slides, transparencies and digital. Later today I pick them up, Jim & I will pack them and they will be shipped to Washington State for the Bellevue Art Museum Artsfair.